by Yvonne Michie Horn
I’d come to the city of Oaxaca, southern Mexico’s cultural treasure, for a two-week immersion in Spanish. During that time, I wandered around the Old City in my off-school hours, jumping at every opportunity to practice my emerging language skills. As I walked cobbled streets, I kept running into the name of Francisco Toledo, Oaxaca’s reigning contemporary artist.
“Toledo is a seed,” my teacher told me. “Toledo has insisted that our total culture be preserved, and now nearly every art form is flourishing here, creating an ambience, a sense of the entire...
CONTINUE READING »